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2011 contents
A
Parent’s
Guide to Young Rockers
“Hey
mom, you know that
tall kid at school
who plays guitar?
He has a band and
he wants me to
be their singer!”
That’s
what my son, Danny
Lamere of Weston,
said in 2007 when
he joined the band
The Keys. Back then
he was a15-year-old
freshman at Milton
Academy and had only
dreamed of being part
of a rock band. Now
18 and graduating
soon, Danny and his
tall friend Andrew
Beaudoin of Dedham,
along with the rest
of the guys in the
band, are seasoned
rockers in high school
terms.
In
four years, The Keys
band has written original
music, performed live
at a number of venues
to screaming fans,
printed T-shirts with
their logo, and raised
money for charity
gigs. But they were
new to it once, and
just like other creative
kids right here in
Wellesley and Weston,
they had to figure
out on their own what
it takes to be a band.
For the most part,
they just needed a
little support and
encouragement to realize
their dreams but,
as a parent, I would
have liked a little
more guidance.
What
I’ve
come to learn is that
there is a rock music
community all around
us, a nurturing collection
of musicians, teachers,
parents, and just
nice people who want
to help your child
succeed at doing what
he or she loves. What
I’ve
discovered is that
you just need to follow
a few simple steps.
Step
1: Accept their style
You
may have a young musician
in your own home starting
to rebel against his
weekly piano lesson.
If so, you aren’t
alone. Many of the
kids I talked to for
this article started
with piano and moved
on to other instruments.
Don’t
despair; your investment
won’t
be wasted if you start
by accepting their
evolving musical choices.
Susie Von Rosenvinge
of Weston believes
in supporting her
son Perry’s
interest in metal
music even though
it’s
not her style: “We
don’t
want to push him into
the music we think
he should be playing.
The best thing is
to support any kind
of music that they
are into in the moment.”
A
sophomore at Weston
High School, Perry
plays rhythm guitar
and sings for the
metal influenced,
post-hardcore band
Attraction to Tragedy
(a modern version
of Metallica with
screaming). He understands
that his parents are
not necessarily in
love with his choice
of music: “They’re
just happy I’m
playing.”
Step
2: Invest in equipment
and lessons
“You
don’t
need top of the line
equipment to start.
See if they are going
to take it seriously
and trade up later,” says
Diane Young, founder
and director of 12-year-old
The Center for Arts
in Natick (TCAN) Rock
Off Main Street, and
a parent of two professional
musicians in the band
War Tapes. Diane recommends
getting lessons from
a rock-oriented professional. “The
lessons were a commitment,
but I didn’t
have to force it like
piano lessons.”
Nick
Koutrakis, a freshman
at Weston High School
and lead guitarist
in the band No Promises,
says he has benefited
greatly from lessons
with his teacher from
At Your Door Music,
an in-home service.
No Promises drummer
James Mullany and
rhythm guitarist Ross
Taylor have been taking
lessons for more than
four years and Niko
Kalemos, the band’s
bassist, started piano
lessons at the age
of 10. At age 13,
he picked up a bass
guitar and is now
playing both instruments,
using them in his
work with the band.
Step
3: Provide the rehearsal
space
“Your
kids will need a place
to rehearse,” explains
veteran rocker mom
Diane. “If
you want to be a part
of this experience,
having them play in
your basement is wonderful.
Be home, but stay
out of it as much
as you can.”
For
kids who don’t
know other musicians,
Plugged In in Needham
offers ensemble classes
grouped by age, level,
and skill. According
to Sandra Rizkallah,
co-founder of the
non-profit Plugged
In: “There
are few opportunities
for young musicians
to find success. The
Plugged In program
offers teenagers community,
an opportunity to
connect with other
musicians, and a place
where they feel safe
taking risks.” Kids
meet for one and a
half hours each week
for 14 weeks. Lucy
Rubin, a sophomore
at Weston High School,
started playing bass
at Plugged In two
years ago. Lucy enjoys
her lessons and band
group but points out
that she’s “not
in music to be a rock
star.”
Step
4: Understand the
importance of marketing
Whether
a band wants to pursue
fame in the music
industry or not, marketing
is important for getting
exposure and relating
to friends and fans.
Attraction to Tragedy’s
Ruthi Dubilo, a senior
at Weston High School
and manager and bassist
for the band, explains
that bands need to “promote,
promote, promote!” She
recommends that bands
get connected on MySpace
and Facebook. “Why
would you play if
you have no one to
play to?” agrees
Nick of No Promises.
Hip-hop
artist Cam Meekins,
a senior at Wellesley
High School, sees
marketing as essential. “The
music business is
90 percent business
and 10 percent music.” Last
summer, Cam decided
to pursue his music
full-time and worked
with Matty Trump,
a Boston producer
who engineered the
hit “Just
Like You.” In
one week, Cam saw
ten thousand hits
on YouTube. Today,
Cam has a full-time
manager in friend
Stu Porter, also a
senior at Wellesley
High School.
Most
young bands don’t
have their own manager,
and Jeff Royds of
New England Garage
Bands feels that getting
a support team in
place is crucial to
success. “I
tell bands that are
just getting going
to try and stay away
from the negative
aspects of the business.
Stay away from ‘pay
to play’ clubs
that won’t
let you play unless
you bring in an audience.” A
musician who started
in high school, Jeff
recommends getting
friends to help with
marketing and using
the free Web site
he created to connect
and share information.
Step
5: Let them get creative
What
is it about rock music
that is so appealing
to these kids? According
to Danny who also
sings classical and
a cappella music at
school, there is nothing
like singing a rock
song: “With
rock you are totally
free. There’s
no way for you to
think about anything
besides the music.” Perry
also enjoys the freedom
that comes with playing
rock music: “For
me, playing music
can be an escape.
If I have a bad day,
I can go play it out
on my guitar. I can
play what I want and
no one can tell me
what to do.”
“It’s
almost indescribable,” says
Cam about performing. “I
try to make people
have a good time.
I feed off the energy
from the crowd.” Alex
Camp, vocalist for
the band No Promises,
has had similar experiences
on stage. “It’s
the best feeling in
the world. I get a
little nervous before
I sing, but it’s
a good nervous.”
“Writing
a song is really fun,
but you want to write
one you know the audience
will like,” says
Nick. Ruthi Dubilo
believes that the
band’s
performance of a song
in concert is as important
as the song itself. “Most
people who come to
hear you play are
not necessarily going
to know your music.
Your performance can
really influence the
crowd’s
experience.”
While
young performers differ
in style and delivery,
all agree that being
in a band is like
being part of a team. “Playing
with a band is great.
There’s
a little while before
you form your identity...until
you get the chemistry.
And once you get that,
you start feeding
off each other,” says
Danny.
“It’s
closer than a sports
team because when
you play a song or
get up on stage, you
can’t
do anything without
the rest of the band,” says
Nick. Perry views
the band experience
in a personal way: “We
are more like a family,
the closest of friends.” For
most bands, this closeness
is critical to the
creation of original
songs.
“The
thing people don’t
understand,” says
Diane of TCAN’s
Rock Off Main, “is
the writing of the
lyrics itself is writing
poetry. Music is such
a great expression
of their emotions.” She
adds: “Young
rockers don’t
get the respect they
deserve. The time
commitment it takes
for one song, let
alone six or seven
songs, is staggering.
They have to write,
practice, and find
a place to play.”
Step
6: Find them a gig
and sit in the back
Where
can an underage band
play? All-ages venues
and competitions are
out there. TCAN’s
Rock Off Main Street
produces once-monthly
gigs at their location
in a former firehouse
in Natick Center.
New England Garage
Bands sponsors “Rock
the Planet,” an
all-ages rock show
at Lazer Zone in Marlborough
on the last Saturday
of every month and “YouthJAM!” is
held four times a
year on the Parish
Hall stage at the
First Parish Church
in Weston.
Diane
has seen more high
school rockers in
the last 12 years
than anyone else in
the area and she proudly
explains that she’s
never had a problem
with anyone being
disrespectful or destructive. “I
think the kids get
it. They are so appreciative
to have a place to
play.”
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I
think the parents
get it, too. There’s
nothing like the feeling
of seeing your child
succeed at something
he or she loves. “Parents
should always support
their kids by showing
up at concerts,” says
Diane. “I
think kids are really
appreciative of having
their parents there – even
if they say they don’t
want you.”
One
word of caution though:
You should know that
your ranking as #1
fan is fleeting. Be
prepared for the time
when your support,
any support, becomes
stifling. Believe
me, I’m
there. When I interviewed
my son for this article
and asked if his parents
had been supportive
he said, “maybe
too supportive.” He
wouldn’t
elaborate. Maybe it
was the look of heartbreak
on my face or maybe
he decided he had
said too much, but
at that moment, I
realized it was time
for me to stop being
the parent who sits
in the front with
the video camera and
move to the shadows
in the back of the
room.
My
final step?
Step
7: Remember rock
is
all about freedom
and expression
Let
them go. 
Resources
for Young Rockers
and their Parents
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