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2011 contents

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A
few “artful
birds” await
the artist's
finishing touches.
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Despite
Wellesley resident
Abby Glassenberg’s
original plans to
be a teacher and her
stellar academic achievements—graduating
Phi Beta Kappa from
Johns Hopkins University,
winning a Fellowship
for a Master’s
degree in Education
from Harvard—she
traces her true passion
to a not-so-stellar
performance in an
eighth grade Home
Economics class. “I
did horribly in it,” she
laughs. “I
think I got a C-minus—we
had to make Bermuda
shorts, do you remember
them? I loved that
class, and as a result
I bought a sewing
machine with my Bat
Mitzvah money.” She
still uses that trusty
machine today, a Burnett
330—very
simple, solidly made.
A workhorse.
No
one in her family
sews, “but
that was good,” she
explains as we chat
in her serene living
room—you’d
never guess she has
three small children—surrounded
by modern art that
she and her husband
select together. “The
fact that I didn’t
have anyone to teach
me forced me to figure
out everything for
myself. Which, it
turns out, is the
fun part for me.” She
remembers another
childhood episode
at the sleep-away
camp she attended,
where they gave open-ended
art classes in a big
barn. She made a bee-line
to the fabric, found
soft, fuzzy-stretchy
material, and created
a black-and-white
dog with a red collar,
the embryo for her
array of stuffed animals—not
just any stuffed animals,
but the sophisticated
soft toys and bird
sculptures that fill
her studio today.
On
her Web site she explains
her love of turning
utilitarian fabrics
and discarded objects
into something new. “Many
of my soft sculptures
are sewn from recycled
and found fabrics.” She
turns to me with a
wry smile, “I
love all the junk
that you pick up in
church rummage sales
and the recycle part
of the Wellesley dump.”
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Crane
in Yellow
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Throughout
her travels on the
sea of intellectual
pursuits the burgeoning
artist in Abby kept
popping up like a
seal. Although she
wrote her senior thesis
on the desegregation
of Baltimore Inner
City Public Schools,
she gobbled up every
art class Johns Hopkins
had to offer. Her
favorite was a sculpture
class, where students
were asked to use
recycled materials.
She designed a huge
alligator out of corrugated
cardboard, and a great
big chicken out of
shish-kabob skewers.
She ended up winning
a Johns Hopkins art
award the first year
it was given. Abby,
in all modesty, laughs “probably
because I was the
only History Major
who ever took so many
art classes.”
Not
only did she gravitate
towards every after-school
arts program she could
find, she started
them for her students
everywhere she taught.
This included the
underfunded Greenwood
Middle School in Greenwood,
Mississippi, when
she worked for Teach
For America after
college. She taught
grades five through
eight and founded
Greenwood’s
literary magazine.
She started an origami
class at the Brown
Middle School in Newton
Center at her last
teaching job before
giving birth to her
first daughter in
2004.
At
that point the artist
in her burst through,
leading her to follow
what’s
now her creative passion:
soft toys, hundreds
of them: alligators,
lambs, lions, leopards,
horses, puppies, rabbits,
monkeys, whales, fantasy
birds in flight, bird
sculptures of all
kinds, schools of
fish, elephants, penguins.
Each animal is different,
so no two puppies,
or rabbits, or monkeys
are alike.
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Red
Owl
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“I’d
stopped teaching but
I always need a project.
Luckily for me, blogs
were just getting
started the winter
of 2004-2005.” With
her husband’s
help Abby looked around
the internet for crafts
blogs but found very
few. So she did some
research and decided
to start her own.
She hired a Hosting
Service called TypePad,
which charges a minimal
amount each year to
manage the details
for maintaining a
blog.
She
named the blog “While
She Naps” (www.whileshenaps.typepad.com)
and started chatting
about just that: everything
she did while her
baby daughter napped.
Soon people answered,
posed questions, and
gave advice. Abby
delighted in finding
a community of artists
and young mothers,
which included others
who like to sew and
craftspeople who traded
ideas, helped each
other out, and formed
friendships. “The
blog is great,” she
says, “it’s
like a hungry mouth
always lurking, needing
to be fed. It acts
like a deadline and
keeps me accountable.”
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Humpty
Dumpty
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She
pauses. “Sewing
is a catharsis for
me. I’ve
always moved at high
speed, and it forces
me to slow down. You
have to do every step
of a pattern right
or you’ll
have to rip it out
and start all over.” She
started posting pictures
of stuffed animals
on her blog, and selling
them through an online
market for hand-made
items called Etsy
(www.etsy.com/shop/whileshenaps),
which makes it simple
to set up a shop and
sell merchandise securely
through PayPal.
Abby
reflects back on her
first soft toy designs. “Not
knowing the rules
helped,” she
says. For example,
initially she ignored
the fabric’s
grain direction so
some of the animals’ necks
would curve in a weird
way that she liked.
Her first original
design was a monster.
Having decided she
was not interested
in mass producing
to sell, or doing
custom orders, she
combed the shelves
at Barnes & Noble
to find a handbook
on soft toy design.
There were plenty
of books with patterns,
but nothing on how
to create a pattern
that you design.
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Cover
of the The
Artful Bird:
Feathered
Friends to
Make and Sew
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What
to do? Once again
Abby reached back
to her liberal arts
education where she
learned how to do
research and write,
did a Google search
on how to do a book
proposal, and sent
one out. One company
gave her a counter
offer. She’d
had an exhibit of
her sculptural birds
at the Wellesley Free
Library, and the company
suggested they do
a book of the patterns
of those birds. Her
book The
Artful Bird: Feathered
Friends to Make and
Sew (Interweave
Press) came out in
January 2011, a month
after her last baby
was born. As she says,
her blog gives her
a ready-made audience:
she is now being asked
to give shows and
teach workshops all
over the country.
With
The Artful
Bird’s
success, Abby realized
she could now write
the book she’d
always wanted to read,
a handbook for creating
your own soft toy
design patterns. She
has a contract for
that book, which will
be published in 2013.
In her studio she
has already organized
a series of boxes
of animals, one box
for each chapter.
Each species of animal
moves from simplest
to most complicated,
one animal at a time.
“It
never occurred to
me you could do this
for a career,” she
beams. “I’m
doing exactly what
I want, being a
stay-at-home mom
and following my
passion.” The
huge imaginative
family of creatures
Abby created nuzzled
her into a career
she never dreamed
of. “When
I mention sewing
most people think
I do mending or
make dresses for
my children, but
no,” her
eyes flash, “I
make animals
and birds.” 
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